Yamsaf Barak …. Sakiha, at night !! – from the top of the platform – ✍️ Yasser al -fadni
Hamida Abu Ten is a unique Sudanese poet of a special style, born in the city of Abu Ten, born at a time when the word was made aware and that music ignited consciousness, Hamida was not only a writer of lyrical poetry, but was a mixture of popular honesty and human depth, her poems came out of the uterus of life, the words of the oppression and the sings of the oppression, similar, and similar. “The partition of the man” is one of his poems that he wrote from the heart of the detention, when he was transferred from cooper prison to al -abyad, express this March (that he is a sophisticated maximum at night) and the maximum here means the vast, the shackles in his feet were Turned it into music, to “a man with a man”, in an expression that hides behind a national bread and a human tragedy from which a song was woven
The Text Abounds With Simple Rhetorical Images, but it is saturated with suggestion, such as (Isolation, i have a news in theo nasam al -bahr. Nostalgia and we have been found, we find the hidden anagrams between “affection” and “passion”, and between “damk” and “tsui” Internal Music That Dispensions With Weight Costing, and Repetition in “The partition of the man, my love, marry me” is not only a necessary, but it is sympathy, the urgency of my hair holds the eyelashes of the beloved heart and hopes that it does not leave its owner behind, as if the words were left.
The melody developed by Hassan Attia completes this human scene with a sad extension, with a tone that does not rejoice, and if he sings, in which a buried jungle smear comes out of the Al-Bayati sanctuary or the hijaz, you swing like someone who walks in
Then Came the Participation of the Artist Mahmoud Abdel Aziz, “The Whale”, and this Song was revived, not only at the level of performance, but at the level of popular reception, the was not only blood it, but “he lived it”, and his soul was poured into it as the liquidated honey is in a cup of Sect, His Wandering Tone, and His Method of Mixing Between Nostalgia and Revolution, Made The Song A Sweeping Pulse who enters generations of generations who did not know, but she knew nostalgia, lethality and attachment to those who are not good to wait
I come from my platform. Where he felt a deep feeling … that the listener when he hears the “part of the man” with the voice of the whale, not only hears the song of love, but he hears the story of a homeland and a captivity, he hears an emotion intertwined between imprisonment and finding it, between restrictions and freedom, between a poet who wrote his blood, and a singer, and a singer, not his letters poet who wrote his blood and tone.
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