When you are the criteria …. what’s afraid of time! – from the top of the platform – ✍️ Yasser al -fadni
“Bahr al -Shouq” is one of the best of what the late poetic al -yarraa planned, the secret, and blood an exceptional throat, which is the throat of sayyid khalifa, who was able to give her another life in his tone of his voice and his unique sense, so it exceeded the limits of the text and melody to Settle in the Consciousness of the Sudane Listner As an Icon of Love and Longing
The poem opens with an emotional borrowing overwhelming from the first line, where it says:
(Zidni of this is a bit and the label of desire for me)
As if it was the hope of disinfecting when he asks for more passion fire, not to relieve but to shine more, from the use of the act of “zaidni” by addressing the beloved wears a beautiful surrender, and an intimate language which beats the warmth of the presence, then comes the second sentence (your heart described me), then you open the door of hope in a popular popular form, as if the series is Popular form, as if the series is doing the door to a popular form, like the series, like the love series!
The poem progresses with a constant emotional rhythm towards the depths, because the poet himself represents a “traveler in the seas of desire”, and the metaphor here is the most creative of what is: love is a sea, desire is a journey, and the increase in it is not food but (look and smile
Then, it is anchored on the astonishment beach when it meets the beloved:
“I throw myself into your hands and forget my eyes in your eyes.”
Here, the “I forget” rehearsal has excessive connotations of love whose owner loses his memory of the world.
In the clip in which he says:
(In soft eyes, he is lost)
The eyes are transformed into an emotional labyrinth, and the loss is not a tragedy but a tragedy, while the “cheeks” are the one that has received the heart of the heart, and here is the singular “I gave my order” which evokes beautiful backgrounds, as if the lover requires only an overview of the connection or even a word, even if it was (impossible))
Next comes the top of the merger in the poet’s saying:
“When you are with me, what do you think of time, no start, neither of the end nor what it was”
It is a moment of freezing time, the separation of the lover of everything that is the world
This song is not only a love of poem, but a complete painting, in which the poet Al -Sir Dulib was used as a simple and familiar vocabulary, but it is intense with an analogy and a metaphor, and he attracted the image he leaves in the spirit of the lover
In terms of music, Syed Khalifa composed this poem with a genius which is completely consistent with the text, as we find gentle melodic transfers and pure or oriental sanctuaries which embrace the words in a flow, music begins lightly, just as nostalgia starts with each word inside in it
The voice of Sayyid Khalifa here is the voice of (leukemia and the club) is characterized by the flexibility of his absence of his counterpart, capable of moving from the decision to the response without manufacturing, and his voice in this song tends to tend more than force than force, which makes it an appropriate bowl to transport the feelings of the beautiful refraction in the poem.
He sings not only, but also speaks to you, and you almost feel that he does not perform the song only for performance, but also lives it until he imagines that his words are improvised outside his heart at the same time
I am of my platform to listen to … And I say: in the conscience of the Sudanese auditor, (Bahr Al -Houq) is not only a work of art, it is a mirror and an emotional, which is restored whenever nostalgia returns, and it is repeated in a low voice on the long nights of waiting, it is the song which is the song that is suspicion and nostalgia and nostalgia and nostalgia and nostalgia And nostalgia and nostalgia and the chyme is the song that is nostalgia and nostalgia and the narrow seleu, because it speaks its language, cries with its tears and smiles with the modest of its joy.
