How many years? What did you tell me what? Malik have you walked from us? – from the top of the platform – ✍️ Yasser al -fadni
The saber song with you, Sabra, is a long patience, which represents one of the Dhiks to which Sudanese singing Rose, not only in terms of poetic text created by the Taj al -Sir Abbas, but also in the transparent melody and the mixed performance between the force of Hassan Khalifa Al -atbrawi and the warmth of the Ipsam Mohamed Nour Nour Nour Nour Nour Nour Nour Nour Nour Nour Nour Nour
The poetic text is based on the extension emotional narration, as it takes patience on love an existential axis, which makes love suffering, the poet leans on a clear and transparent language, but it is load with depth and emotionary that overflows with rhetorical pictures, the beloved Just a transient lover, but a transcendent being that raises the lover from His Surroundings, and Makes Him Live A Stranger Among His Family (How Many Years of Life is with you) emotional
Graphic beauty begins with the poet’s ability to invoke the Arabic poetic heritage in his similarities, (if you say they and God is him for me, there is no suffering to torment, not the pain of pain). Stana), where the materials transform into symbols of ideal love, and the elements of the universe are borrowed to be a gift for the mistress, a rhetorical escalation which reflects the uniqueness of the poetic experience
The melody that Al -atbrawi has set up is like the Nile, the parking in simplicity, but it is saturated with an inner bell which makes the brilliant singular poetic, the sweetness of the music lies in an exaggeration, because it maintains the natural flow of the text and leaves audio performance to complete the expressive role
The voice of Al -atabrawi appears here as a tool for the text, because it is an explicit Bedouin dimension, which carries the power and the hardness of the countryside, but when it mixes with the word and the melody comes out in an emotional form of a flirt, it touches the heart without barriers without barriers without barriers
As for the entry of Essam Mohamed Nour into common performance, it is a modern touch that added a sweetness to the Swaddi sound, Issam carries an urban character in his song, characterized by sweetness and tenderness, so her voice in the song came as a balance of echo between force and a rare mixture made the song as if it spoke to different generations at the same time at the same time at the same time at the same time at the same time at the same time at the same time at the same time at the same time at the same time the same moment at the same period at the same time and by train
I come from my platform … I listen to … For this lyrical impulse, which is a complete pillar painting: a unique poet by formulating passionate with rhetorical images and the saturated language of consciousness, a composer knows how to pour the melodies to serve the text not to cover it, and a double audio performance proves that Sudanese song is able to combine the power of Abbas, abbas City, of the Atbrawi crown and Issam Muhammad nour saber with you were not a poetic celebration, a beard and an audio, to celebrate love in its long patience and a Sudanese song in its most beautiful manifestations.
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