Al -Basha (a student) outside the institution – part of the policy – ✍️ al -tarifi abnaba

In 2004, Egypt Produced the Pasha Film, A Student Written by the Writer Bilal Fadl and Starring Karim Abdel Aziz, who Played the Role of “Bassiouni”, the Officer who ImperSonated The University Student in the University to Reach the Facts and Dismantling of A Case that was not Exception by entering the university and the paradox that the movie that was produced in that year coincided with the presence of the shaddad union, which the pasha was defended at the expense of principles and values …
I had not invited myself to this memory, which was written yesterday, the friend, Al -Basha, as he surprised the facts he could have achieved if he spoke of his repeated hesitation in the ministry, in which he had not seen the beautiful …
The Ministry of Youth and Sports is confronted with major challenges and not at the level of sporting activity or the idea of paying attention to the development of youth strategies only, but these are challenges related to the construction of a homeland and to support a problem that affects society, it was therefore determined that festivals were an entry point to change concepts and try to solve certain life problems, which have started to exploit sports and push festivals To be an attractive door and a motivation for the return of citizens and festivals to be a gate and a mouth
As for this history linked to the executives of the ministry, whether the Sudanese people be reassured, because the doctoral diplomas and the mastery carried by the employees of the Ministry of Young and Sports, Rima, exceeds all government institutions in the race of technology and university certificates.
I think that after the war is a new situation and that his idea cannot be managed isolated from the decision of the decision and policies of the college state, and this is what applies to all state institutions, we must therefore modify the critical concepts that have seized us without hope and distorted our ideas for change … ..




