Shendi…(singularity) in times of (war) – Paths – ✍️ Mahfouz Abdeen

The war that broke out in Sudan may have been intended by foreign powers as a “booty” and “gain” for them after the Sudanese “will” was submitted to their hands and national “sovereignty” was at his feet “. The affair would take place between “a wink and his attention” based on financial calculations and technical and logistical arrangements, and the declaration of the new Sudanese state entirely submissive to the financier, or in the language of cinema and cinema. satellite programs, for the (producer) and the (producer) himself is subject to the vision of the (director), and none of them (better) directed (the scene) in a way that (suit) what was (spent) on De (the money), and because (they claimed) the director had (experience). The work was poor and disappointing.

Because the Rapid Support Militia extras didn't play their role well, and because the financier spent huge sums of money on things that won't help him achieve his goal, and because the director tried to come up with a film that the world would believe in. him, and in order to earn huge revenues for the welfare of the American people.

The extras, the financier, the producer and the director did not succeed because these three and those who accompanied them did not know where these pens were produced, and they expected success like their success in cow films. boys, cowboys and their tribulations. the people in America (the Redskins) wanted to repeat the production of the same (film) with the same (tools) in (Sudan) with a slight change in the (tactics). They saw this as a new (innovation) that could add. a hint of (credibility) and they applied (make-up) of (democracy) and fought (the remains) to hide (the wrinkles) and mask the (bad) vision of the real objective, which is colonialism, with a face ( dark), as a (precedent) in the century which (preceded).

It is enough that one region of Sudan, Shendi, burned this film, inflicting heavy losses on the extras, the producer and the director.

Shandi only restored its recent (history) which was memorized by all the Sudanese people, who is (burning) Ismail Pasha, who came hungry (for men) and (for gold), who is the same reason which brought those who were greedy to Sudan to seek (gold) itself (as a goal) in itself and its symbolism for all (the resources) of Sudan.

And just when Pasha was burned, here comes Shindi, burning the ambitions of the new colonizers and proposing “innovations” to repel aggression. After the success of the “alert” camps, hundreds of camps were established and an “armed popular resistance”. has become a reality among the people. Today she presents an initiative (for the wounded from operations) in advanced work and an unimaginable image. A (unique) model for the (unique) people of Shendi.

The traders and owners of the Chamber of Commerce gathered, and the owners of agricultural projects came forward, the Union of Vegetables and Fruits, butchers, pharmacists, doctors, businessmen, the Union Bakery owners and residents of the industrial zone, including blacksmiths, industrialists, iron and scrap dealers and shutter owners, all joined forces to provide treatment, medicine and medical supplies, increase clinical capacity and rehabilitate hospitals and health centers, by importing medical materials and equipment. household appliances, and provision of medical, technical and artistic personnel and specialists in treatment (psychological) and moral treatment (push).

All this so that the wounded and injured in operations find a better (situation) in order to provide (excellent) service and realize the efforts and efforts they have made in this war. It is enough that they sacrificed their lives. for the sacrifice of religion, land and honor, and that is the least we can offer them.

This great rush of all those of whom we have spoken and others, who pay generously and spend without fear (of poverty), is a spectacle which has made the eyes (overflow) (with tears), but others, like the author of these lines, (turned away) and their eyes (overflowing) with (tears). Sad that they can't find money to spend it.






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